How can art access lust?

Art is born from tools, tools without function. Tools structure reality, art reconstructs reality. The artistic process is the process of smashing and reorganizing the real world. Objects in reality are symbolized in art. Through these symbols, art can complete the narrative, express the author’s ideas, and realize the deconstruction of reality.

Everything that is man-made must have its own substance, and the artistic process can be regarded as the continuity of skills, that is, the true state of art, which is the substance of art.

The perceptual experience that art brings to the viewer is that the viewer subjectively projects the lust into the phenomenon, and this lust is only momentary. It is only through the continuity of technique (the noumenon of art) that the subject can continue to gain access to eroticism.

Pygmalion’s love for the Catalans he sculpted is not static, it arose out of every concrete, rational technique in the engraving process. However, this kind of love is not out of narcissism that practice makes perfect, it is a kind of love for art itself in general, but not for artistic phenomena. This kind of love is more like the inertia of creation, like God’s appreciation for the Garden of Eden that he created with his own hands.

 In another way, the implementation of each specific technique in the artistic process is a return of the author’s lust, which manifests itself and leads to its destruction. Therefore, the artistic process is the author’s own eternal cycle (die ewige Wiederkunft), and its essence is Nietzsche the will of ideology.

Art-erotic process:

Lust for new ideas

lust to start

lust for details

lust for expansion

lust close to fulfillment

Finished lust

lust for acceptance

lust in packaging

Sensual lust (the lust of the viewer)

lust for domination

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